From time-domain effects to equalizers, from dynamicsDefinition:
In a musical performance, changes in overall volume levels, often accompanied by timbral changes. Example: Classical symphonic music has a wide dynamic range, while dance mixes have a much narrower dynamic range. control to noise reductionDefinition:
A technique for reducing noise in recording or transmission systems. Single-ended noise reduction systems use filtering to isolate the noise, and expand this signal downward using downward expansion. See Expansion and Downward Expansion. Double-ended systems use symmetrical compression and expansion. See Compansion., from guitar sound modeling to the sound of classic analogDefinition:
A signal that is continuous in nature, as opposed to being defined as a series of discrete numbers (or elements) as found in digital signals; electrically "analogous" to an acoustical signal in the air. components, there has never been such a comprehensive collection as this. The Mercury Collection offers more effects, more channelDefinition:
1. In radio, television, citizen's band radio, and other wireless communications modes, a specific frequency for communication. 2. In mixers and video, an input or output signal path with controls. 3. In MIDI, one of 16 data paths. components, more mixdown tools, more processors than ever before in one place.
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