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OUR PART #: TLM103-MT-STEREO MFR #: 008502
One of the biggest success stories in Neumann's history, the TLM 103, part of their TLM series ... Read more
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One of the biggest success stories in Neumann's history, the TLM 103, part of their TLM series, delivers pristine, clear sound; a modern update on the classic U87; a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with stunning definition and ultra-low noise. This particular package, the TLM 103 mt Stereo Set includes two (2) matched TLM 103 mt microphones wrapped in a Matte Black finish, with an EA 1 microphone stand shock mount as well as a durable and stylish aluminum carry case.
The New Standard
Made especially as an affordable, updated alternative to the venerable U 87 microphone introduced in 1997, the TLM 103 has since become a modern classic in its own right. Today, it's among the microphones that set the bar to which contemporary studio mics are measured. Its classic tapered headgrille design gives it a distinctive Neumann look.
It's a cardioid-patterned microphone with a large diaphragm condenser capsule that's derived from the legendary Neumann U 87's classic K67/87 capsule. However, it features a slightly more modern voicing with wide presence boost for frequencies above 5 kHz. It offers a very direct-yet-refined sound that's great for vocals, and enables solo instruments to effortlessly pop out of the mix. Of course, it also comes with the famous authoritative midrange that has become the hallmark of Neumann mics and made them the top "go to" microphones used studios worldwide. A unique feature of the TLM 103 is its impressively deep-yet-controlled low end, ideal for sonorous voices as well as powerful bass instruments.
Technical Excellence
Setting new standards in technical performance too, it has an incredibly low self-noise of only 7 dB-A, which puts it among the quietest microphones you'll find. And its high 23 mV/Pa sensitivity ensures ultra-low noise even used with budget preamps and audio interfaces or vintage tube gear. Simultaneously, it can handle enormous sound pressure levels of up to 138 dB with no need for preattenuation. The mic's vast 131 dB dynamic range makes it a very easy-to-use studio mic, as it'll capture anything from a soft whisper to a thunderous bass drum with no noise or distortion. It's equipped with a transformerless output stage, minimizing transmission losses and ensuring a very immediate and uncolored sound, true to the original, plus a clear, powerful bass response, even at the highest signal levels.
Applications
It was primarily designed for project studios and broadcast use, but thanks to its remarkable performance it was soon embraced by renowned studios as a more contemporary-sounding alternative to the U87, e.g.: for speech, vocals, drums, guitar amps, and piano. Also, the TLM 103 is often used as a spot mic in classical recordings, e.g.: for cello and double bass.
* According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
† According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
¹ Measured as equivalent el. input signal
² According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
³ According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.